s make outside the system and those made within it" whereby some filmmakers function within the system on their "own terms versus being part of it on soul else's" (10). This is one of Dick's major points. He indicates that a filmmaker notify be in the business, but not of it if he or she has kept control of their art.
The major premise Dick makes in his discussion of independent film is that the men and women who make independent films are unwilling to be part of the product-driven industry that incorporate Hollywood represents. The "indies" insistence on artistic control brings innovation to the current movie scene because they can follow their own vision without a committee deciding to alter it for greater box office returns. Of course, as Dick also points out, retentivity artistic control doesn't always mean that an independent film will be a superior film. Some "indies" are very good, while others are mediocre at best. St
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