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Friday, November 9, 2012

Personal Concept of Death in Poems

One of the realities of nonsymbiotic selects is that they tout ensemble need a venue; there's not much signalise in a serious filmmaker making a film, no matter how personal, if an audience doesn't view it. Dick mentions artwork houses and cable television as two venues where unaffiliated films be shget. He makes a valid point that distribution is necessitate for independent films as well as mainstream films, and many independent filmmakers use the big studios to circularise their films with major studios creating specialty divisions to distribute the "indies" they have acquired as well as for producing independent films. He also makes an important distinction between "fil


s make outside the system and those made within it" whereby some filmmakers function within the system on their "own terms versus being part of it on soul else's" (10). This is one of Dick's major points. He indicates that a filmmaker notify be in the business, but not of it if he or she has kept control of their art.
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The major premise Dick makes in his discussion of independent film is that the men and women who make independent films are unwilling to be part of the product-driven industry that incorporate Hollywood represents. The "indies" insistence on artistic control brings innovation to the current movie scene because they can follow their own vision without a committee deciding to alter it for greater box office returns. Of course, as Dick also points out, retentivity artistic control doesn't always mean that an independent film will be a superior film. Some "indies" are very good, while others are mediocre at best. St
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