In the tragic play village, the character Hamlet was undoubtedly cardinal of William Shakespeares greatest characterizations. The overall appeal Hamlet has to an audience or reader almost definitely stems from his many human weaknesses. The high hat known is indecisiveness, but his variety is a more superior characteristic.
T.S. Eliot argued that Hamlet was an artistic failure, due to a basic weakness in the play. It was his contention that a playwright owes a concern to the audience to write a dialogue appropriate to characters as the have been developed in the drama. Eliot made the point in the Closet Scene (Act 3, Scene 4), when Hamlet confronts his mother, Queen Gertrude, in her bedchamber; his words demonstrate a bitter hostility and a vindictiveness for which the audience is totally unprepared. Since Eliots charge against Hamlet is self-evidently valid, actors and directors attempting to stage Shakespeares tragedy have struggled with the problem Eliots undertake highlighted, both prior to and after its publication. The customary approach in the 20th and 21st century has been to imply, on Hamlets part, a frustrated, incestuous love for his mother, which may justify his words although Shakespeare gives no circumstance of his feelings towards his mother whatsoever. As a result this approach creates some other variation.
One can find a far greater inconsistency in the play than the inadequate preparation of the audience for Hamlets drop of attitude toward his mother in the Closet Scene. This inconsistency is Hamlets lack of concern for his loss of the Kingdom of Denmark. It would appear to be an oversight on the part of the playwright, one of the keenest observers of human genius who ever lived. Shakespeares genius was to show us the timeless aspects of our strengths and frailties through and through the characters in the plays. People tend to...
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