'Themes in The Great Gatsby '

'Themes in The not bad(p) Gatsby\n\n1. THE decadency OF THE AMERICAN breathing in\n\nThe American pipe daydream--as it arose in the Colonial expiration and actual in the nineteenth century--was found on the premiss that each person, no matter what his origins, could make it in flavor on the sole basis of his or her birth skill and effort. The intake was bodied in the rarified of the self-made man, well(p) as it was bodied in Fitzgeralds own family by his grandfather, P. F. McQuillan.\n\nThe Great Gatsby is a original about what happened to the American envisage in the 1920s, a plosive speech sound when the old set that gave substance to the dream had been corrupted by the vulgar by-line of wealth. The characters are Midwesterners who contrive come einsteinium in avocation of this new dream of money, fame, supremacy, glamour, and excitement. Tom and Daisy moldiness thrust a huge house, a stable of polo ponies, and friends in Europe. Gatsby must acquire h is enormous augury before he can olfactory sensation confident tolerable to try to go on Daisy.\n\nWhat Fitzgerald seems to be criticizing in The Great Gatsby is not the American Dream itself besides the decadence of the American Dream. What was once--for Ben Franklin, for example, or Thomas Jefferson--a effect in trust and hard grow has become what ding Carraway calls ...the service of a vast, vulgar, and meretricious beauty. The push button that might stick out gone into the prosecution of noble goals has been channeled into the by-line of power and pleasure, and a very showy, but fundamentally put down form of success.\n\nHow is this developed? I have tried to luff in the chapter-by-chapter analysis, peculiarly in the Notes, that Fitzgeralds look back of the dream of success is developed generally by means of the five dollar bill central characters and through certain ascendant images and symbols. The characters might be divided into threesome groups: 1. N ick, the observer and commentator, who sees what has gone wrong; 2. Gatsby, who lives the dream purely; and 3. Tom, Daisy, and Jordan, the stifle dust who are the prime examples of the subversive activity of the dream.\n\nThe primary images and symbols that Fitzgerald employs in developing the matter are: 1. the common light; 2. the look of Dr. T. J. Eckleburg; 3. the image of the eastward and Midwest; 4. schnozzle Eyes; 5. Dan Codys boat; and 6. religious harm such as grail and incarnation.\n\n2. toilet AND INSIGHT\n\nboth the character groupings and the images and symbols...If you indigence to get a full essay, rate it on our website:

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