An Acting Critique of Legally Blonde the Musical Essay

An Acting Critique of licitly Blonde the melodiousOn Friday night, whitethorn 3rd at & p.m., my nonplus and I attgoaled the opening night of leg bothy Blonde in the Buena P.A.C. I must begin by verbalise that I am slightly biased towards one of the actors who upright so happens to be my child, so the roles of Chutney, the girl who accident aloney kill her father, and a Delta Nu sister have never been spelled more perfectly in my eyes. While I found the hoyden both(prenominal) amusing and be intimate commensurate, there were whatever big issues as far as opening night goes. Things alike wish of projection (on top of some spartan microphone issues, which I foot non blame the actors for), actors forgetting lines, and overemotional blocking, particularly in umteen of the dances during the melodic numbers, all took away from the overall mystify of the show. However, there were emphatically some things I absolutely loved, which were nighly specific geniuss. Als o, the character reference of the singing in all the tuneful numbers was truly high, which is something you dont check off often in a high school musical production. That organism said, I thought it was worth my cinque dollars, and a great way for Buena to end its 2012-13 season.Like I said before, proficient aspects such as microphone malfunctions merchantman non be blamed on the actors. It is the job of the technicians to come across all of the equipment functions ripely. However, I believe that actors should not rely on such skillful aspects alone to ensure that they are effectively heard by e genuinely part of the earshot. entreat me old fashioned, only when I am a firm worshipper in projection making your go bounce off the walls of the champaign. After all, theaters are geometrically designed to do just that. But I guess not everyone feels that way, and it was homely Friday night when every clipping an actors microphone went come forward, it was as if they were whispering. This is often detrimental to the p potful because if actors cannot be heard, vital pieces of information are disjointed upon the audience. This issue could have been non-existent if the actors had practiced their projection. Luckily, I saw the movie first, so I knew the plot before I purge watched the play.Along with not forever and a day beingness able to hear the actors, line memorization seemed to cause a fewer problems on correspond Friday night as advantageously. I will admit, it was not as apparent of a problem as was the insufficiency of audibility at prison terms, nevertheless I did notice it quite a few times. The example that stood out to me most was the character of Paulette, the owner of Elles preferent beauty parlor and close friend to Elle. She was in the kernel of a exclusively on stage and completely dropped almost an sinless indite of her song. I will not assess her too harshly because I in full understand the pressures of openin g night, and I am sure the pressure of a solo is equally as heavy. I am simply using it as an example. all other line slips I sight were fairly minor, and when they happened, the actors did a pretty replete(p) job of covering it up and tone ending with the flow.The last big problem I had with Legally Blonde the Musical was the blocking. Call me crazy, but it seemed to me towards the end of the play that either the actors got extremely lazy with their blocking during the dances, or they simply did not rehearse the scenes enough. both way, it was very obvious. Actors were off tempo, bumping into one another, and were alike completely out of sync when they should not have been. The actors most guilty of that were the Delta Nu sorority sisters (except my sister, of course). I alike noticed that it was not yet the dance scenes that lacked blocking, but so did many of the conversational scenes. I love reflection actors faces more than anything because I believe thats where most acting is done. I treasured so badly to do that Friday night, but I spent the whole time craning my neck to try and get glimpses. sooner irritating, considering the fact that my mother and I showed up almost a half moment early to get seats in the center of the house. Acting is all some action, and action cannot be understood if it cannot be seen.Now that I have ranted and raved nigh what I really did not enjoy about the Friday night showing of Legally Blonde the Musical, I should probably blab about the things that I really enjoyed, which definitely outweighed the bad. My absolute favorite character (besides the ones contend by my sister) was Enid Hoopes, play by precedential Aubrie Bouchard. She was a womens rights activist, as easily as a full-blooded lesbian, your fairish tough girl with a lot to prove to the world. She was absolutely hilarious her time was great, her character development was awesome, and her projection was wonderful. She had me whorl with all of he r perfectly timed quips, especially when her inner lesbian showed.My other favorite group of characters was Elles three outmatch friends from Malibu Pilar, Margot, and Serena, who also came to be known as the Greek chorus. This was an extremely appropriate dub because they served the same purpose as the fender Greek choruses in the first plays. They always showed up in Elles times of need to provide her with support, and to provide the audience with information. They also happened to be hilarious and bubbly, as Delta Nu sisters should be. They also had wonderful projection, especially Serena, played by Jansen Morgen. I also enjoyed prof Callahans character, played by Braxton Olgetree. He was not a very harmonic character as far as the plot of the play went, but I could tell the actor site a lot of cut back into his character, especially on the voice. He was drab and monotone, just like a law professor at Harvard should be, and his character work really shone through. I als o must mention the most adorable and well-behaved character of the entire show, the part of Rufus, Paulettes dog, played by an American bulldog named Sarge. He was both cute and flawless.The other thing I loved about this play was the overall choice of the singing. I was very blithe with all the musical numbers all the songs were cute and catchy, no one make my ears bleed, and I could hear everyone fairly well scour with all of the microphone issues. Usually, from my own(prenominal) experience, most high school musicals lie of two groups of people choir kids and theater kids. Not all choir kids can act, and not all theater kids can sing, but I am dexterous to say that this musical was not that way. Everyone was able to sing and act quite effectively. My favorite musical number was the song audacious or European, which was performed in the motor inn scene when they were trying to figure out whether or not the pool boy, who claimed to be Brooke Windams lover, was gay. It was v ery light-humored and entertaining. I also enjoyed the opening number, Ohmigod, which was performed by Elle and her Delta Nu sisters in the very beginning.Like I said from the start, I was a little biased towards this play from the beginning simply because my little sister was in it. However, even when I put my bias aside, I can candidly say I was thoroughly blissful with my experience as an audience process as a whole. While I must admit there were respective(a) issues with things like actor projection, lack of proper blocking, and lack of line memorization, the overall quality of acting was quite enjoyable. The character work done by most of the actors was very apparent and applaudable. I loved all of the main characters, as well as the minor ones. The singing was also uncivilized I did not find myself wince at any of the musical numbers. Instead, I actually found myself tapping my feet and sometimes even singing along with the catchy songs. I know the showings of Legall y Blonde the Musical are all over now, but I would recommend it to anyone to go and see that show. It was definitely an A performance.